The Library Society is delighted to welcome Xavier Salomon for what is sure to be a riveting discussion about his experience as the Frick Collection’s Deputy Director and Peter Jay Sharp Chief Curator. For this program, Salomon will focus on artist Rosalba Carriera (1673-1757), who was the most celebrated woman artist in eighteenth-century Europe. She worked in the inherently fragile medium of pastel and was always concerned for the well-being of her creations. The recent discovery of a sacred image placed by Rosalba in one of her pastels has led to discovery of a number of similar prints. We will follow in Rosalba’s footsteps, from her house in Venice to the European courts for which her pastels were destined. Tickets for this in-person event are $10 for CLS members and $15 for guests, and can be purchased with the link below or by calling 843-723-9912.
This event is in-person and ticketed – To purchase tickets, click here.
Please Note: We are continuing to monitor the COVID-19 pandemic and greatly value the safety of our patrons. All events require masks for entry and are subject to change from in-person to Zoom format if safety protocols need to be amended. To stay up to date on this event’s details, we recommend you check this page regularly. All ticket sales are final.
About the Speaker:
Salomon is the Frick’s Deputy Director and Peter Jay Sharp Chief Curator. A noted scholar of Paolo Veronese, he curated the monographic exhibition on the artist at the National Gallery, London (2014). Previously, Salomon was Curator in the Department of European Paintings at the Metropolitan Museum of Art and, before that, the Arturo and Holly Melosi Chief Curator at Dulwich Picture Gallery, where he curated Van Dyck in Sicily, 1624–25: Painting and the Plague (2012) and collaborated with Nicholas Cullinan on Twombly and Poussin: Arcadian Painters (2011). As an Andrew W. Mellon Curatorial Fellow at the Frick (2004–6), he curated Veronese’s Allegories: Virtue, Love, and Exploration in Renaissance Venice (2006). Salomon’s other exhibitions for the Frick include Cagnacci’s Repentant Magdalene: An Italian Baroque Masterpiece from the Norton Simon Museum (2016–17), Veronese in Murano: Two Venetian Renaissance Masterpieces Restored (2017–18), Murillo: The Self-Portraits (2017–18), Canova’s George Washington (2018), Tiepolo in Milan: The Lost Frescoes of Palazzo Archinto (2019), and (with Aimee Ng and Alexander Noelle) Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence (2019–20). Salomon received his Ph.D. on the patronage of Cardinal Pietro Aldobrandini from the Courtauld Institute of Art. He has published in Apollo, The Burlington Magazine, Master Drawings, The Medal, The Art Newspaper, Journal of the History of Collections, and The Metropolitan Museum of Art Journal. Salomon also wrote (with Maira Kalman) the latest volume in the Frick Diptych series, Rembrandt’s Polish Rider (2019). He is a trustee and a member of the Projects Committee of Save Venice. In 2018, Italy named Salomon Cavaliere dell’Ordine della Stella d’Italia.
